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Material and matter

About

Un-natural Mat(t)erial challenges conventional views on architecture, matter, and materiality, particularly the notion of what constitutes “natural” materials. Traditionally, materials like timber and stone are deemed natural, while others, such as plastics and composites, are considered unnatural. However, the exhibition questions this dichotomy, highlighting how all materials so far originate from our planet and are, in essence, natural.

Contrary to the term unnatural, the term natural can be misleading, as it often overlooks the complex processes involved in material extraction, manipulation, and disposal and, in oversimplification of a generic positive connotation, does not examine the complex realities of the built environment. Instead, Un-natural Mat(t)erial proposes a more nuanced perspective, where the classification of materials depends on variables such as energy consumption for extraction, embodied energy and carbon, life cycle properties, production and implementation emissions, and other related metrics.

By reviewing these factors, the exhibition prompts visitors to reconsider their understanding of materiality and sustainability in architecture. It challenges preconceived notions and encourages a more holistic approach
to material selection and usage. In doing so, Un-natural Mat(t)erial aims to inspire conversations and actions towards a more environmentally conscious and responsible built environment.

Exhibition Gallery

Participants

    Lola Ben – Alon

    Ezio Blasetti

    Thomas Doxiadis

    Yael Erel

    Avner Ben Natan

    Athina Papadopoulou

    Mario Medina Vilela

    Christian Pongratz

    Andreas Theodoridis

Projects

The Basketry projects

This section focuses on the notion of materials and methodologies traditionally associated with natural origins, such as timber, straw, or bamboo, commonly used in basket weaving. Contrary to popular belief, newer developments in materiality and digital fabrication, suchas the use of 3D printers and robotic weaving of materials such as clay, earth-based composites, and carbon fiber, could challenge the conventional perception of what constitutes “natural” materials and the processes of building and making. Visitors may encounter displays demonstrating the intricate craftsmanship involved in basket weaving and how these materials are sourced and processed. Additionally, the section might explorethe environmental impact of using these materials, highlighting aspects like cultivation practices, resource depletion, and waste generation. By integrating innovative techniques such as 3D printing and robotic weaving alongside traditional practices, the exhibition prompts reflection on the evolving nature of materiality and craftsmanship in architecture, while also considering the environmental implications of these advancements.
The Basketry projects

The Periodic table materiality projects

This section will explore the wide variety of materials available for use in architecture, transcending the traditional distinction between natural and synthetic. It will showcase a diverse range of materials, encompassing both traditional natural materials and synthetic compounds, organized according to their environmental performance and derived froman alternative periodic table. Each material will undergo evaluation based on various metrics, including embodied carbon, extraction energy, performance and maintenance environmental costs, air pollution emissions ratings, and the ability to enhance lighting conditions for improved indoor environmental quality. This comprehensive approach to material selection aims to encourage a more holistic consideration of environmental impact and sustainability in architectural design and construction.
The Periodic table materiality projects

The invisible matter projects

The “Invisible Matter” section delves into the often overlooked yet significant aspectsof materiality and design within architecture, focusing on elements that are not readily apparent but profoundly impact environmental sustainability and human well-being.This segment examines the healing properties of natural and artificial light, elucidatinghow lighting conditions can influence mood, productivity, and circadian rhythms, while also addressing the negative effects of poorly designed artificial lighting on eye health and sleep patterns. Additionally, it scrutinizes the air pollution emissions associated with materials throughout their lifecycle, from extraction to disposal, emphasizing the importanceof mitigating emissions such as volatile organic compounds and greenhouse gases through the use of low-emission materials and optimized manufacturing processes. Furthermore,the section explores a myriad of other invisible factors encompassing indoor air quality, thermal comfort, acoustic performance, and embodied energy, demonstrating their interconnectedness with the built environment and their profound impact on occupants’ health and well-being.
The invisible matter projects
Un-natural Mat(t)erial

ReGround Matter: Experiments on regenerative materials for construction and manufacturing

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Particles Vacuum Cube

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Computational Composites

Un-natural Mat(t)erial

Projecting Light-scapes

Un-natural Mat(t)erial

Entangled Kingdoms

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3D Printed Mud-Fiber Vessels

Date

July 3 - July 18, 2024

Cam site

Credits

Participants

Lola Ben-Alon – Columbia GSAPP
Engineer, Assistant Professor at Columbia GSAPP,
Director of Natural Materials Lab and the BuildingTech curriculum

Ezio Blasetti – UPenn
Architect, Senior Lecturer University of Pennsylvania, MsAAD Columbia University, Co-Founded maeta design, Founder of algorithmicdesign.net

Thomas Doxiadis – Doxiadis+
Architect, Landscape Architect ASLA B.A. MArch,MLA Harvard University

Yael Erel
Architect, Educator, Light Artist and Co-Founder of lightexture, Co-Director of
the MArch Program and Assistant Professor at Rensselaer Polytechnic Institute

Avner Ben Natan
Lighting designer and Co-Founder of lightexture

Athina Papadopoulou – NYIT
Assistant Professor of Architecture, Health,and Design NYIT,
and Co-Director ReMEDiaLab

Mario Medina Vilela
Visiting Assistant Professor, NYIT Schoolof Architecture and Design

Christian Pongratz
MSHD Director, Professor,
and Co-Director ReMEDiaLab

Andreas Theodoridis
Assistant Professor NYIT & Practicing Architect-Engineer,
Environmental Technologist

Opening Panel Discussion Moderator

Lydia Kallipoliti
Associate Professor and Director of the M.S.Advanced Architectural Design, Columbia University GSAPP

Exhibition Curator

Andreas Theodoridis
Assistant Professor NYIT & Practicing Architect-Engineer,
Environmental Technologist

CAM Production Coordinator

Penny Chorafa
Architect – Engineer MSarch

Exhibition Design & Visual Identity

Post-Spectacular Office

Pedestals Design

Andreas Theodoridis
Assistant Professor NYIT & Practicing Architect-Engineer,
Environmental Technologist

Photography & Video Documentation

Petros Pattakos – Cimelio Team

Website Development

Net22

CAM Advisory Board

Lefteris Vergerakis
Valina Geropanta
Andreas Theodoridis
Giorgos Kalligeris
Zacharias Pistopoulos
Dimitris Tsakalakis

Media Partner

Archisearch

Un-natural Mat(t)erial

Production sponsors

Design Ambassador
VETA – More than a metal manufacturer

Un-natural Mat(t)erial